2，3日前に、「Rodkin怪我」、そして、本日は、「Ovcharenko怪我」とロシアのカキコで見かけました、また、ura*a3t*さまより同様情報を頂戴しました。
Ovcharenkoは、新人Shrainerとのドンキで頭上に片手で上げるサーカスまがいのリフトに失敗、これが元で怪我したのかしらん？とにかく、Yuliaの白鳥の湖は、Rodkinに変更になったのでした。
また、パリの炎でミレーユを踊るはずだったYuliaは、今度は、相手役のRodkinの怪我で降板、代わりにTikhomirovaとOvcharenkoが代役を果たしました。あれっ、Ovcharenko、白鳥の湖は怪我降板でなく、リフト失敗降板なのかしらん？
まあ、いーや(￣－￣)
Rodkinの怪我は大したことないようで、Yuliaと「海賊」は踊るようですよ、あれっ、アリでなくコンラッドだよね～？
さて、久々のマリ情報、っつーか、マリ第三劇場のウラジオストックのプリモルスキーで「極東フェス」が始まっております。
8月6日（土）は、パリ・オペラ座のオニール・八菜さんが客演で、Parishを相手にジゼルを踊りましたとさ、以下は、ロシアのカキコでのコメントの英訳です：
http://forum.balletfriends.ru/viewtopic.php?t=6242&start=120
I International far eastern Festival Mariinsky.
Giselle 06.08.16
Giselle-Hannah O´Nil (Paris Opera) (first performance)
Albert-Xander Paris (Mariinsky Theatre)
Hans, Forester-Sergey Umanets
Mirta-Irina Sapozhnikova (first performance)
Quite often in references to "Giselle" write that second act has turned out better than the first. In our case, it was exactly the opposite.
The first act of the play turned out though no revelations, but very solid. Giselle Hannah O´Nil was cute, sincere, bright girl, of those people who, as the Sun illuminate the world around us. Danced easily, not without rough edges, but not critical, the overall picture is not spoiled. Albert Rabid Parishii at first was just a spoiled young Aristocrat, gladly rinuvšimsâ in another adventure, sincerely, but shallow takes the cute little girl, and only in the final having understood what he had done and užasnuvšijsâ the offense committed. The dance was quite decent, without gloss, but without jambs. Interaction between partners was also good. And other heroes-Hans Sergey Umanets, in love with Giselle and desperately tries to defend their right to happiness, Giselle's mother, Bertha (Jeanne Cherkashina), loving and bespokoâŝaâsâ for the daughter, the proud beauty Bathilde (Rafael Morel)-they all worked perfectly, creating memorable images, it was felt that the play worked in good faith, even on some small deJacks at the minor characters. Very good was the scene of the peasant wedding. Our Corps definitely recovered to a high of samples is still far, but the watch was nice, nothing particularly eye cut. Classic duo performed our soloists Eriko Noritake Takahara and Joseph Phillips. Very well made, especially Eriko. Was easy, accurate and a good jump, the sooner she had problems. A scene of madness is not shocked, but soul touched. So after the first act of the mood was wonderful.
The beginning of the second Act, too, went smoothly, the first appearance of Giselle-jeeps, first exit the graph terzaûŝegosâ guilt, Willis SR., again dance audience at "seledkah" all applauded from the abundance of the senses. Glitch happened in the first Duet of Giselle and Alberta, where there were no support. I do not know whether it was the nedorepetirovannost′, Who have Made the problems altogether, but it's so hard started support as if taking weight on sports competitions, fixing in the air almost was not, well that's not dropped, but my heart, confess heart. After that things started to fray. Feeling that it knocked out of the rut Hannu and her left inspired. Subsequent support were also not too fortunate, unfortunately. The final Adagio was oiled, feeling that the artists a little bit behind the music, and it was necessary to start the next piece, not fixing the final pose in the Adagio. Were still successful episodes, a good variation of the rabid Hannah in their solo air, was nevesoma. But there was no image, alas. Including, unfortunately, our Iročki Sapožnikovoj, which debuted in the party Mirta. I always thought this fairy from another fairy tale, erroneously ranked in the world of Willis. It was not this mythical creatures of otherworldly horror vlekomogo the wicked will, as relentless rock. That turned out so easily off the Lily Berežnovoj, our wonderful Mirta. Although technically everything was good, no complaints. In General, if you talk about the general impression, Hannah O´Nil I liked. In my opinion, it would be a very good fair was Giselle, well-thought-out work on the way, and the girl looks good and in the guise of peasant women, and in the guise of jeeps. More experienced partner would be, I think, and the debut would be more solid. But what happened, leaving mostly a good impression. Hall took good, were sincere and warm applause. I eventually was not too disappointed because I appreciate impressions personal experience, rather than on someone else's reviews or video. Because and try not to Miss performances with artists, which previously only read, and now a lucky chance to see them personally.
書きたかないのですが、SkorikはMikhail教授が言っていた通り、マリ残留みたいなようね～...、インスタによると「今季も終わった...中略..10月までさよなら」なんだって...。代わりと言ってはランクが違うけど、Shapran・Smirnovaと同期の美女で体の柔らかいEkaterina Bondarenkoがミュンヘン行くらしいです...。
Ovcharenkoは、新人Shrainerとのドンキで頭上に片手で上げるサーカスまがいのリフトに失敗、これが元で怪我したのかしらん？とにかく、Yuliaの白鳥の湖は、Rodkinに変更になったのでした。
また、パリの炎でミレーユを踊るはずだったYuliaは、今度は、相手役のRodkinの怪我で降板、代わりにTikhomirovaとOvcharenkoが代役を果たしました。あれっ、Ovcharenko、白鳥の湖は怪我降板でなく、リフト失敗降板なのかしらん？
まあ、いーや(￣－￣)
Rodkinの怪我は大したことないようで、Yuliaと「海賊」は踊るようですよ、あれっ、アリでなくコンラッドだよね～？
さて、久々のマリ情報、っつーか、マリ第三劇場のウラジオストックのプリモルスキーで「極東フェス」が始まっております。
8月6日（土）は、パリ・オペラ座のオニール・八菜さんが客演で、Parishを相手にジゼルを踊りましたとさ、以下は、ロシアのカキコでのコメントの英訳です：
http://forum.balletfriends.ru/viewtopic.php?t=6242&start=120
I International far eastern Festival Mariinsky.
Giselle 06.08.16
Giselle-Hannah O´Nil (Paris Opera) (first performance)
Albert-Xander Paris (Mariinsky Theatre)
Hans, Forester-Sergey Umanets
Mirta-Irina Sapozhnikova (first performance)
Quite often in references to "Giselle" write that second act has turned out better than the first. In our case, it was exactly the opposite.
The first act of the play turned out though no revelations, but very solid. Giselle Hannah O´Nil was cute, sincere, bright girl, of those people who, as the Sun illuminate the world around us. Danced easily, not without rough edges, but not critical, the overall picture is not spoiled. Albert Rabid Parishii at first was just a spoiled young Aristocrat, gladly rinuvšimsâ in another adventure, sincerely, but shallow takes the cute little girl, and only in the final having understood what he had done and užasnuvšijsâ the offense committed. The dance was quite decent, without gloss, but without jambs. Interaction between partners was also good. And other heroes-Hans Sergey Umanets, in love with Giselle and desperately tries to defend their right to happiness, Giselle's mother, Bertha (Jeanne Cherkashina), loving and bespokoâŝaâsâ for the daughter, the proud beauty Bathilde (Rafael Morel)-they all worked perfectly, creating memorable images, it was felt that the play worked in good faith, even on some small deJacks at the minor characters. Very good was the scene of the peasant wedding. Our Corps definitely recovered to a high of samples is still far, but the watch was nice, nothing particularly eye cut. Classic duo performed our soloists Eriko Noritake Takahara and Joseph Phillips. Very well made, especially Eriko. Was easy, accurate and a good jump, the sooner she had problems. A scene of madness is not shocked, but soul touched. So after the first act of the mood was wonderful.
The beginning of the second Act, too, went smoothly, the first appearance of Giselle-jeeps, first exit the graph terzaûŝegosâ guilt, Willis SR., again dance audience at "seledkah" all applauded from the abundance of the senses. Glitch happened in the first Duet of Giselle and Alberta, where there were no support. I do not know whether it was the nedorepetirovannost′, Who have Made the problems altogether, but it's so hard started support as if taking weight on sports competitions, fixing in the air almost was not, well that's not dropped, but my heart, confess heart. After that things started to fray. Feeling that it knocked out of the rut Hannu and her left inspired. Subsequent support were also not too fortunate, unfortunately. The final Adagio was oiled, feeling that the artists a little bit behind the music, and it was necessary to start the next piece, not fixing the final pose in the Adagio. Were still successful episodes, a good variation of the rabid Hannah in their solo air, was nevesoma. But there was no image, alas. Including, unfortunately, our Iročki Sapožnikovoj, which debuted in the party Mirta. I always thought this fairy from another fairy tale, erroneously ranked in the world of Willis. It was not this mythical creatures of otherworldly horror vlekomogo the wicked will, as relentless rock. That turned out so easily off the Lily Berežnovoj, our wonderful Mirta. Although technically everything was good, no complaints. In General, if you talk about the general impression, Hannah O´Nil I liked. In my opinion, it would be a very good fair was Giselle, well-thought-out work on the way, and the girl looks good and in the guise of peasant women, and in the guise of jeeps. More experienced partner would be, I think, and the debut would be more solid. But what happened, leaving mostly a good impression. Hall took good, were sincere and warm applause. I eventually was not too disappointed because I appreciate impressions personal experience, rather than on someone else's reviews or video. Because and try not to Miss performances with artists, which previously only read, and now a lucky chance to see them personally.
書きたかないのですが、SkorikはMikhail教授が言っていた通り、マリ残留みたいなようね～...、インスタによると「今季も終わった...中略..10月までさよなら」なんだって...。代わりと言ってはランクが違うけど、Shapran・Smirnovaと同期の美女で体の柔らかいEkaterina Bondarenkoがミュンヘン行くらしいです...。