ロシアのカキコ記事、一旦はあきらめたのですが、Yuliaへのコメント部分だけ翻訳しました。ロシア語→英語→日本語という過程を経ております、誤訳はお許しください。
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Mekhmen Yulia Stepanova is one of the most impressive events for me in this rather faded, ballet season. A bright, frank, piercing speech. A story about how painful and difficult it is to be on the very top of a person with a subtle trembling soul. The tragedy of Yulia's heroine is not so much in the love with which she missed. Rather, it was that love for this queen was necessary to nourish the tender soul by force, and thus to be able to bear its burden for many years.
Mehmene Julias Stepanovoj - one of the most impressing events for me in present, faded enough, ballet season. Bright, frank, shrill performance. The story how painful and it is heavy to appear at the top to the person with thin quivering soul. Tragedy Юлиной of the heroine is not so much in love from which it has missed each other. More likely that the love was necessary for this tsarina to feed a gentle soul with force and by that to have a possibility long years to bear the burden.
ユリア・ステパノワのメフメネ・バヌーは、色褪せた感の強い今シーズンのバレエ・シーンで、最も印象深いイベントのひとつとなった。強く輝き、率直で、突き刺さるようなパフォーマンスだった。物語は、微妙に震える魂の持ち主が、人民の最上位に立つことの痛みと困難はいかばかりかを語る。ユリアが演じたヒロインの悲劇は、失った愛についてではなく、メフメネという女王の強大な力を持つ優しい魂を癒すために、また、何十年もの間、女王であることの重荷を耐え忍ぶために、その愛が必要だったことなのだ。
Юлина tsarina has accepted all the obligations to the state, but its way a-infinite victim. And consequently such as it, got used каждодневно to endow herself, to give the beauty for a life of the sister - naturally.
Yulia the tsarina accepted all her obligations to the state, but her way is an eternal sacrifice. And therefore such as she, who is accustomed daily to sacrifice herself, to give her beauty for the life of her sister - naturally.
Julia's Queen took all their obligations to the state, but her way -the never ending sacrifice. And because like her, accustomed daily to sacrifice himself, to give her beauty for her sister's life - course.
女王のユリアは、国政を行うためのあらゆる責務を受け入れながら、しかし、未来永劫犠牲者であった。それゆえに、毎日続く犠牲に慣れた女王は、妹の命と引き換えに女王自身の「美」を手放した、当り前のことに。
But when she realizes that he has lost the chance to get a loved one - then spills her despair, from loneliness, from carefully hidden insecurity. And unconscious fear - because such as it is, without love and under the burden of ruthless imperious duties do not last long. Wonderful portrait created by Julia, which I had a lump in my throat.
But when it understands, that has lost chance to receive the favourite person - then is splashed out it отчаянье, from loneliness, from carefully hidden defencelessness. And unconscious fear - because such as it, without love yes under ruthless burden of imperous duties long do not live. The wonderful portrait was created by Julia, from which I have that in a throat.
But when she realizes that she has lost the chance to get a loved one, then her despair is spilled out, from loneliness, from carefully hidden defenselessness. And unconscious fear - because such as she, without love and under the ruthless burden of power duties for a long time do not live. A wonderful portrait was created by Julia, from whom I have a lump in my throat.
しかし、女王が愛する人を獲得するチャンスを失ったことに気が付いた時、絶望が彼女を襲う、孤独から来る、慎重に隠された不安から来る。そして、無自覚・無意識の恐怖 – 愛なしでは、避けようのない義務の容赦ない重荷を長い間担うのは命がけなのだ。このような特徴を、喉に腫脹があるところの（← 喉．．．？ちょっと意味不明なのです？）、ユリアは見事にえがききった。
The technics has pleased, plastic - at height, is very expressive. Supports-very not bad, are not worse than other ours Мехмене. Фуэте practically on one seat though in my opinion it would be necessary to add aggressions. Always differing beautiful hands, Степанова this time me it is simple ослепила the abruptly изогнутыми лилейно-white brushes in which it is equally possible to make out both sharp daggers, and petals of a gentle lily.
Technique pleased, plastic - at the height, very expressive. Support is very good, not worse than the rest of our Mehmen. Fuete practically in one place, although in my opinion it would be worth adding aggression. Always different with beautiful hands, Stepanova this time just blinded me with her steeply curved lily-white brushes, in which equally it is possible to see both sharp daggers and petals of a gentle lily.
技術的に喜ばしい、柔軟性 - 高みからは、非常に表現に満ち溢れている。サポートは、ヒドイという訳ではなかった、他のメフメネ・バヌーと比べて劣るということはなかった。フェッテはシングルで、もっと攻撃的でもよかったと個人的には思うのだが。常に美しくて異なる手腕の動き、ステパノワには、今回、鋭く彫られた白百合の束で、まさしく幻惑された、これは、鋭い短剣をみたり、優しい百合の花びらをみるのと同等に可能な効果。
The mysterious duality is characteristic and as a whole for Julia's plastics: its imperative poses are faultless, but in movement appears vulnerability. In an impulse burning it grieves and sobs each muscle - but at the same time in the same instant its body exhales amazing sensuality. In many respects this Юлина natural ambiguity became that hook, on which I have got)) When the image turns out multivariate, it would be desirable to peer and peer into it.
Mysterious ambiguity is characteristic and, on the whole, for the plasty of Julia, the imperative postures of it are flawless, but vulnerability shows in motion. In a fit of grief, she mourns and sobs with every muscle - but at the same time, at the same time, her body exudes a startling sensuality. In many respects it was this Yulina natural ambiguity that became the crochet that I got to)) When the image is multidimensional, I want to peer and peer at it.
神秘的な二重性が特徴で、全体的に、ユリアの柔軟性は、断定的なポーズはケチのつけようがなく、しかし、動きは脆弱的な表現を伴う。深い悲しみの発作が起きると、筋肉は隅々まで嘆きとすすり泣きを伴う – しかし、同時に、彼女の体からは驚くべき官能性がしみでてくるのだ。様々な意味で、これはユリアの自然な両義性の現れであろう、これは彼女に首ったけになる要素なのだ(o^―^o)ﾆｺ。役のイメージが多義的であること、これは、凝視・熟視してやまない特徴である。
【中略】
Very grateful for the spectacle.
And encouraged by the fact that Yulia Stepanova fixed in my heart) Julia, bravo.
この「スペクタクル」的パフォーマンスには、とても感謝している。
そして、Yulia Stepanovaにはたいへん勇気づけられた、私の心を突き刺した(o^―^o)ﾆｺ。Yulia,ブラボー。
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Mekhmen Yulia Stepanova is one of the most impressive events for me in this rather faded, ballet season. A bright, frank, piercing speech. A story about how painful and difficult it is to be on the very top of a person with a subtle trembling soul. The tragedy of Yulia's heroine is not so much in the love with which she missed. Rather, it was that love for this queen was necessary to nourish the tender soul by force, and thus to be able to bear its burden for many years.
Mehmene Julias Stepanovoj - one of the most impressing events for me in present, faded enough, ballet season. Bright, frank, shrill performance. The story how painful and it is heavy to appear at the top to the person with thin quivering soul. Tragedy Юлиной of the heroine is not so much in love from which it has missed each other. More likely that the love was necessary for this tsarina to feed a gentle soul with force and by that to have a possibility long years to bear the burden.
ユリア・ステパノワのメフメネ・バヌーは、色褪せた感の強い今シーズンのバレエ・シーンで、最も印象深いイベントのひとつとなった。強く輝き、率直で、突き刺さるようなパフォーマンスだった。物語は、微妙に震える魂の持ち主が、人民の最上位に立つことの痛みと困難はいかばかりかを語る。ユリアが演じたヒロインの悲劇は、失った愛についてではなく、メフメネという女王の強大な力を持つ優しい魂を癒すために、また、何十年もの間、女王であることの重荷を耐え忍ぶために、その愛が必要だったことなのだ。
Юлина tsarina has accepted all the obligations to the state, but its way a-infinite victim. And consequently such as it, got used каждодневно to endow herself, to give the beauty for a life of the sister - naturally.
Yulia the tsarina accepted all her obligations to the state, but her way is an eternal sacrifice. And therefore such as she, who is accustomed daily to sacrifice herself, to give her beauty for the life of her sister - naturally.
Julia's Queen took all their obligations to the state, but her way -the never ending sacrifice. And because like her, accustomed daily to sacrifice himself, to give her beauty for her sister's life - course.
女王のユリアは、国政を行うためのあらゆる責務を受け入れながら、しかし、未来永劫犠牲者であった。それゆえに、毎日続く犠牲に慣れた女王は、妹の命と引き換えに女王自身の「美」を手放した、当り前のことに。
But when she realizes that he has lost the chance to get a loved one - then spills her despair, from loneliness, from carefully hidden insecurity. And unconscious fear - because such as it is, without love and under the burden of ruthless imperious duties do not last long. Wonderful portrait created by Julia, which I had a lump in my throat.
But when it understands, that has lost chance to receive the favourite person - then is splashed out it отчаянье, from loneliness, from carefully hidden defencelessness. And unconscious fear - because such as it, without love yes under ruthless burden of imperous duties long do not live. The wonderful portrait was created by Julia, from which I have that in a throat.
But when she realizes that she has lost the chance to get a loved one, then her despair is spilled out, from loneliness, from carefully hidden defenselessness. And unconscious fear - because such as she, without love and under the ruthless burden of power duties for a long time do not live. A wonderful portrait was created by Julia, from whom I have a lump in my throat.
しかし、女王が愛する人を獲得するチャンスを失ったことに気が付いた時、絶望が彼女を襲う、孤独から来る、慎重に隠された不安から来る。そして、無自覚・無意識の恐怖 – 愛なしでは、避けようのない義務の容赦ない重荷を長い間担うのは命がけなのだ。このような特徴を、喉に腫脹があるところの（← 喉．．．？ちょっと意味不明なのです？）、ユリアは見事にえがききった。
The technics has pleased, plastic - at height, is very expressive. Supports-very not bad, are not worse than other ours Мехмене. Фуэте practically on one seat though in my opinion it would be necessary to add aggressions. Always differing beautiful hands, Степанова this time me it is simple ослепила the abruptly изогнутыми лилейно-white brushes in which it is equally possible to make out both sharp daggers, and petals of a gentle lily.
Technique pleased, plastic - at the height, very expressive. Support is very good, not worse than the rest of our Mehmen. Fuete practically in one place, although in my opinion it would be worth adding aggression. Always different with beautiful hands, Stepanova this time just blinded me with her steeply curved lily-white brushes, in which equally it is possible to see both sharp daggers and petals of a gentle lily.
技術的に喜ばしい、柔軟性 - 高みからは、非常に表現に満ち溢れている。サポートは、ヒドイという訳ではなかった、他のメフメネ・バヌーと比べて劣るということはなかった。フェッテはシングルで、もっと攻撃的でもよかったと個人的には思うのだが。常に美しくて異なる手腕の動き、ステパノワには、今回、鋭く彫られた白百合の束で、まさしく幻惑された、これは、鋭い短剣をみたり、優しい百合の花びらをみるのと同等に可能な効果。
The mysterious duality is characteristic and as a whole for Julia's plastics: its imperative poses are faultless, but in movement appears vulnerability. In an impulse burning it grieves and sobs each muscle - but at the same time in the same instant its body exhales amazing sensuality. In many respects this Юлина natural ambiguity became that hook, on which I have got)) When the image turns out multivariate, it would be desirable to peer and peer into it.
Mysterious ambiguity is characteristic and, on the whole, for the plasty of Julia, the imperative postures of it are flawless, but vulnerability shows in motion. In a fit of grief, she mourns and sobs with every muscle - but at the same time, at the same time, her body exudes a startling sensuality. In many respects it was this Yulina natural ambiguity that became the crochet that I got to)) When the image is multidimensional, I want to peer and peer at it.
神秘的な二重性が特徴で、全体的に、ユリアの柔軟性は、断定的なポーズはケチのつけようがなく、しかし、動きは脆弱的な表現を伴う。深い悲しみの発作が起きると、筋肉は隅々まで嘆きとすすり泣きを伴う – しかし、同時に、彼女の体からは驚くべき官能性がしみでてくるのだ。様々な意味で、これはユリアの自然な両義性の現れであろう、これは彼女に首ったけになる要素なのだ(o^―^o)ﾆｺ。役のイメージが多義的であること、これは、凝視・熟視してやまない特徴である。
【中略】
Very grateful for the spectacle.
And encouraged by the fact that Yulia Stepanova fixed in my heart) Julia, bravo.
この「スペクタクル」的パフォーマンスには、とても感謝している。
そして、Yulia Stepanovaにはたいへん勇気づけられた、私の心を突き刺した(o^―^o)ﾆｺ。Yulia,ブラボー。
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